In a corner of busy Taipei, lives Ye Lanxin (played by Paw Hee Ching), a woman who is about to retire. Outside the family, she is an excellent working woman who runs a children's art classroom; when she returns home, she is a standard good woman, a perfect wife, mother, daughter-in-law and daughter. She spins like a top, always hoping that she can be comprehensive and solve the tasks assigned to her by everyone around her. Her husband Luo Dawei (played by Kou Shixun), who just retired, is gradually occupying various spaces in the house with his antique collection; her old mother Sun Qinfang (played by Yu Jiaan) lives alone in a nursing home, her memory and consciousness are gradually blurred, and she always reminds her daughter to take her home; her youngest daughter Luo Jianing (played by Ke Jiayan) suddenly returns because her marriage and work are in jeopardy, and the home suddenly becomes a refuge for her belongings; her son Luo Jiayu, who is far away abroad, is undecided about whether to move his family back to Taiwan for work. Although he is a symbol of honor for the Luo family, he is always absent. Each of Lan Xin's family members has their own needs: the space sovereignty at home is constantly occupied, and she is constantly losing the space she desires. At the same time, she feels that she is a derelict mother, daughter and wife, so she begins to fantasize about buying a house to settle the whole family. One day, Lan Xin fell in love with a high-priced new house. Can the short-term high-interest investment of her best friend A Xiang (played by Lu Yijing) and her student Guan Ting (played by Li Chun) solve all the problems at once? Lan Xin, who unknowingly deviated from the rational track and struggled to move forward, seemed to begin to gradually lose the distinction between dreams and reality due to the pressure of reality. Can she find a respite between dreams and imagination?