ripple

Category:Moviecomedy Area:Japan Years:2023 Director:Naoko Ogigami Starring:Mariko Tsutsui Ken Mitsuishi Hayato Isomura Akira Emoto Midori Kimura Hana Kino Tamae Ando Tomoko Eguchi and Tomoaki Hiraiwa

Description:"Seagull Diner" Japanese famous director Naoko Ogigami is good at using images to depict different female appearances. Her new work "Ripple" focuses on the midlife crisis of women. It describes a middle-aged woman who, after her husband ran away from home, turned to a new religion, prayed quietly every day, only drank bottled water sold by the church, and transformed her courtyard into a dry landscape with ripples. Unexpectedly, her husband came back with cancer and asked for care. Her son, who had food and tea, also brought his disabled girlfriend home, causing ripples in her seemingly peaceful life, and the repressed dark emotions were about to erupt. Naoko Ogigami changed her past healing image style, and used earthquake radiation, environmental care, the disabled and the disadvantaged, and religious beliefs to sharply reveal the real situation of repression of Japanese women with horror strokes. Mariko Tsutsui exquisitely interprets the powerlessness and sorrow of desperate housewives, and the shocking finale.

Introduction

"Seagull Diner" Japanese famous director Naoko Ogigami is good at depicting different female appearances with images. Her new work "Ripple" focuses on the midlife crisis of women. It describes a middle-aged woman who, after her husband ran away from home, turned to a new religion, prayed quietly every day, only drank bottled water sold by the church, and transformed her courtyard into a dry landscape with ripples. Unexpectedly, her husband came back with cancer and asked for care. Her son, who had food and tea, also brought his disabled girlfriend home, causing ripples in her seemingly peaceful life, and the repressed dark emotions were about to erupt. Naoko Ogigami changed her past healing image style and used earthquake radiation, environmental care, the disabled and the disadvantaged, and religious beliefs to reveal the real situation of Japanese women's repression with a sharp horror brushstroke. Mariko Tsutsui exquisitely interprets the powerlessness and sorrow of a desperate housewife. The last amazing dance is a self-salvation for herself and for women.

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